图书情报知识 ›› 2024, Vol. 41 ›› Issue (5): 65-75.doi: 10.13366/j.dik.2024.05.065

• 图书、文献与交流 • 上一篇    下一篇

互动数字叙事参与文化遗产保护: 内涵、系统要素和提升对策

余敏   

  1. 中国人民大学信息资源管理学院,北京,100872
  • 出版日期:2024-09-10 发布日期:2024-11-03
  • 通讯作者: 余敏(ORCID:0009-0002-1982-9671),博士研究生,研究方向:数字人文、数字叙事、文化遗产数字化,Email:yumin_fx@163.com.

Interactive Digital Narrative in Cultural Heritage Conservation: Concepts, System Elements, and Improving Measures

YU Min   

  1. School of Information Resource Management, Renmin University of China, Beijing, 100872
  • Online:2024-09-10 Published:2024-11-03
  • Contact: Correspondence should be addressed to YU Min, Email:yumin_fx@163.com, ORCID:0009-0002-1982-9671

摘要: [目的/意义]将互动数字叙事应用于文化遗产领域是中华文化数字化成果全民共享的重要实践,是“数字+文化遗产”的灵活实践,也是国家一系列数字文化战略的贯彻实践。[研究设计/方法]通过文献调研梳理互动数字叙事理论的发展历史和现状,归纳互动数字叙事的内涵及要素框架,在要素框架指导下结合文化遗产保护中互动数字叙事的已有实践“数字藏经洞”进行案例分析。[结论/发现]互动数字叙事可以为文化遗产保护提供多层叙事场域、构建多元主体矩阵、探索故事设计新方法、架接超时空桥梁。未来还需着力凝练叙事文本文化精神、积极扩展叙事主体矩阵边界、灵活运用叙事技巧平衡话语、持续引入前沿技术丰富形式。[创新/价值] 系统阐述互动数字叙事内涵要素,为文化遗产数字化保护和展演提供框架参考。

关键词: 文化遗产保护, 叙事, 互动数字叙事, 传统文化, 文化数字化

Abstract: [Purpose/Significance] Integration interactive digital narrative into the conservation of cultural heritage represents a significant endeavor to share the digital accomplishments of Chinese culture widely. At the same time, it embodies a flexible practice of integrating digital technology with cultural heritage, aligning seamlessly with a series of national digital cultural strategies. [Design/Methodology] Through extensive literature research, the history and development of interactive digital narrative theory have been systematically reviewed. Furthermore, the connotation and element framework of interactive digital narrative have been succinctly summarized. Guided by this framework, we analyze the case of the interactive digital narrative project Digital Library Caves within the context of cultural heritage preservation. [Findings/Conclusion] Interactive digital narrative has the potential to provide multi-layered narrative fields for the conservation of cultural heritage, establish a diverse matrix of participants, explore innovative methods for story design, and bridge temporal and spatial gaps. Moving forward, emphasis should be placed on condensing cultural spirit within narrative texts, actively expanding the boundaries of the narrative participant matrix, skillfully balancing discourse through the flexible use of narrative techniques, and consistently integrating cutting-edge technologies to enrich the narrative form. [Originality/Value] This paper systematically expounds the connotation and elements of interactive digital narrative, and provides a framework reference for digital protection and exhibition of cultural heritage.

Key words: Cultural heritage protection, Narrative, Interactive digital narrative, Traditional culture, Cultural digitization